Английский язык | студенческий
Essay about home decoration.
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The Andrei Rublyov Museum opens the exhibition "Home decoration of the icon, Kyoto and works of decorative and applied art of the XVII - early XX century.
" It presents the kyot and works of decorative and applied art of the XVII - XX centuries from the collection of the museum and private collections.
Surprisingly, but for a long time, when the icon arrived in a particular vault, it was taken separately from the salary or any frame.
Only relatively recently the specialists began to pay due attention to the decoration of the images.
So the exhibition at the Rublyov Museum is one of the first, where the external design of the icons is so fully represented.
It is symbolic that the opening of the exposition took place on the day of the celebration of the Vladimir Icon of the Mother of God, one of the most revered in Orthodoxy.
Not everyone could fit in the small hall of the Andrei Rublev Museum of Russian Art.
The increased interest in such utilitarian subjects of church usage, as salaries and icons for icons, is very simple.
Still some 20 - 30 years ago, no one from the staff of the Rublev Museum simply would not have thought of arranging an exhibition of exhibits, secondary from the point of view of everyday museum practice.
Svetlana Gnutova, the curator of the exhibition : "We paid very little attention to the museums in museums and not only in museums but also in the scientific community, and they were not considered works of art in general, and when things were bought in museums, the ciots were given to the owners - Even if they were from native works.
"
It was thanks to the collectors that this exhibition became possible.
Many of them collected only kioty without icons.
In order not to exhibit an impersonal kiot, the museum chose an image similar in style.
As a result of the cooperation of the museum and private collectors, it was possible to recreate a whole layer of that huge culture of veneration of icons that emerged in Russia among the nobility and merchants in the 17th and 20th centuries.
An example is the image of St.
Nicholas.
This is an icon of the XVII century, the salary to it is made in the XVIII century, and the crown with precious stones - in the middle of the XIX - th.
Gennady Popov, director of the Andrei Rublev Museum of Russian Art : "I always recall this story from the Kazan mid - 18th century, which was in the Vatican.
" The image was filled with so many jewels that a portable kiot was made for him, and this exceeded all imaginable And unthinkable prices.
"
At the exhibition you can see rare unusual cottages - for example, ship made of bronze.
Presented and several icons in the ciots, originating from the Old Believer communities.
Metropolitan of Moscow and All Russia Cornelius, Primate of the Russian Orthodox Old Believer Church : "This is, you can say, a manifestation of beauty, beauty, which is borne by the spiritual world.
" Beauty in general lies in our souls, eyes, and this beauty of the believer's person allows us to create such wonderful masterpieces.
"
Not only noblemen and merchants.
Veneration of the images of the images, as evidenced by these photographs, surrounded in the royal palaces.
These are the bedrooms of the Tsarevich Alexis and the chambers of Nicholas II.
In the future the museum of Andrei Rublev plans separate exhibitions about the home decoration of icons in peasant families and in the Old Believer communities.